Critical science fiction, on its most basic level, is an opportunity to experiment with new ways of existing in the world; imaging different, economic, political and social structures. Within its pages, science fiction holds the space to test ambitious projects without the fear of failure. Reading and writing science fiction is, in all its imaginative and disruptive potential, something which I believe is valuable to anyone living under conditions which they wish to change.

‘Reworlding’ is the name given to a concerted effort to reimagine the places and spaces we inhabit, by generating a multiplicity of futures with which to affect the present positively. Reworlding takes the notion of worldbuilding beyond any ostensible purpose as art or entertainment and deploys aspects of it as a radical tool to instigate change in the world.
The stories compiled in this book were the outcome of a writing workshop series led by Callum Copley in a town called Birzeit, a few miles north of Ramallah, Palestine. From alien experiments, to fortune-tellers and telepathic conspiracies; the stories compiled here represent visions of the West Bank and beyond, reworlding both the local and the interplanetary. Although the contributions in the collection vary in form, length and style, all join a rapidly growing but comparatively small niche of Palestinian science fiction.
664 pgs, 14 × 11 cm, Softcover, 2021, 978-94-93148-35-2

akaBB - tribute to Roni horn
Imagos - Noémie Lothe
In The Navy - Julien Kedryna
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
interférence - 3 - maycec
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Je ne peux pas ne pas - Geneviève Romang
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Entretiens – Jérôme Dupeyrat
Artzines # 10 - Show & Tell #2 NY Special
Burning Images, A History of Effigy Protests - Florian Göttke
Keywording (Post) Contemporary Art - Greta Rusttt
Fluent - Laëticia Donval
Illusive prosody - Alex Beaurain
Les voiles de Sainte-Marthe - Christian Rosset
Aurore Colbert - Marie Mons
Bambi # 4 - Collectif
Darkest Night - Joel Van Audenhaege
Piano - Joseph Charroy
Good Company - Paul Van der Eerden
Polygone n°01 - Amour - Collectif
Outils de (dé)construction - Lalie Thébault Maviel
Capolavori - Livio Vacchini
Graphic Design Is (…) Not Innocent - Ingo Offermanns
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
L'internationale modique (AND 3) - J-M. Bertoyas
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Fièvre - Ronan Bouroullec
A Compilation Of Contemporary Letter Designs
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Jean-Jacques a dit - Angèle Douche
How to Become Irrésistibles - sabrina soyer (ed.)
COLLECTIONNER LES TOMBES - André Chabot
Blanche n°2 - Claude Closky
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Fournitures - Julien Gobled
Collective Design : Alison & Peter Smithson
Imago - Bill Noir
Pik Nik à Talinn - Thomas Chmp
Aujourd'hui est le jour où tu rejoins tes semblables - Marion Balac
Bobst Graphic 1971-1981 - G. Cachin ; D Fornari ; F Rappo
LSD n° 03 – A DIY Issue
Platteland - Simon Vansteenwinckel
Pourtant on avait tout bien fait - Hécatombe
On-off Tones - Anna Bergquist
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Temps d'arrêt - Etienne Buyse 























