In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

JJ – Tartine-moi et autres textes - Jill Johnston
Sans titre - Benjamin Hartmann
Who Are You Dorothy Dean? - Edited by / Edité par Anaïs Ngbanzo.
Critique d'art n°55
Absorber les fantômes - coll
In The Navy - Julien Kedryna
Le blanc nez - Fouss Daniel
Black Case Volume I and II: Return From Exile - Joseph Jarman
Piano - Joseph Charroy
Je ne peux pas ne pas - Geneviève Romang
Prose postérieure - Les commissaires anonymes
Critique d'art n°56
La construction - Perrine Le Querrec
Noces ou les confins sauvages - Hélène David
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Manhoru - Thomas Couderc - Studio Helmo
Diario de Plantas (2 volumes) - Gabriel Orozco
Der Erste Rotkehlchen - Le livre 

























