In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Wayfaring - Patrick Messina, André S. Labarthe
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
movement in squares - Stefanie Leinhos
Pectus Excavatum - Quentin Yvelin
Guten Tag - Pablo Tomek
Ilya Ehrenbourg - Et pourtant elle tourne
Pain liquide n° 01
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Tarwar - Ilan Manouach
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le chateau enchanté - Atelier Mclane
Green (or moles on a golf course) - Aslak Gurholt
La traversée - Magali Brueder
Imagos - Noémie Lothe
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Marc's Souvenirs - Marc Hennes
Turbo Decompress - Coll.
Der Erste Rotkehlchen - Le livre 

























