In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Der Erste Rotkehlchen - Le livre
Guten Tag - Pablo Tomek
Du Fennec au Sahara - Guillaume Pinard
Feminae Explorarum - Ingrīda Pičukān
Lumières - Guillaume Chauchat
Jean-Jacques a dit - Angèle Douche
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Délices d’Orient - Sarah Vadé
La grande surface de réparation - Gilles Pourtier
Blanche Endive - Grégoire Motte & Gabriel Mattei
Sans titre - Chris Kiss
Tchat - Gary Colin
Tableaux fluo - 2013-2016 - Nina Childress
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
La prise - Florian Javet
La construction - Perrine Le Querrec
Working men have no country - Coll.
Roven n°5
Graphzine Visages
Gros Gris n°4 - Duel 

























