In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Papier magazine n°06 - Coupe du monde
Manhoru - Thomas Couderc - Studio Helmo
Baron - Richard Kern
Illusive prosody - Alex Beaurain
Gros Gris n°4 - Duel
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Prototype 02 - morcellement
Photographic Fields - Joël Van Audenhaege
Temps d'arrêt - Etienne Buyse
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Slikmiks - Mikkel Sommer / Mekl
Retour d'y voir - n° 1 & 2 - Mamco
Calendrier des révoltes - Matthieu Saladin
Graphzine Visages
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
La Fête - Damien Tran
Hybrid heads - Daniela Dossi
L'inventaire des destructions - Éric Watier
SKKS - Gilles Pourtier
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Le chateau enchanté - Atelier Mclane
š! #39 'The End' - coll.
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.] 

























