In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Bambi # 4 - Collectif
Pectus Excavatum - Quentin Yvelin
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Entretiens – Jérôme Dupeyrat
Tupera Tupera Postcard Book
Gros Gris n°4 - Duel
Before Science - Gilles Pourtier, Anne-Claire Broc'h
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Editer l’art – Leszek Brogowski
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Aristide n°4
La traversée - Magali Brueder
Flynn zine # 1 - Flynn Maria Bergmann
Critique d'art n°55
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Le blanc nez - Fouss Daniel 

























