In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
twen [1959–1971]
The Book Fight - Chihoi
Le lacéré anonyme - Jacques Villeglé
Anderlecht — Molenbeek - Pierre Blondel
ICCMHW - Atelier Choque Le Goff
Le corps travesti - Michel Journiac
Untitled (Comic Book) - Frédérique Rusch
Reading - Ilan Manouach
Good Company - Paul Van der Eerden
Pectus Excavatum - Quentin Yvelin
Florina Leinß - Ersatzteillager
Surface Tension - Tabitha Soren
The Shelf - Journal 3
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Working men have no country - Coll.
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Dernier royaume - Quentin Derouet 

























