In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Editer l’art – Leszek Brogowski
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Burning Images, A History of Effigy Protests - Florian Göttke
Vanishing Workflows - Xavier Antin
lebondieu - Claude Grétillat
Planète B - Gwenola Wagon
10 MINUTES Architects and Designers in Conversation
Der Erste Rotkehlchen - Le livre
Retour d'y voir - n° 1 & 2 - Mamco
Le vieux père - Laurent Kropf
Theatre - Dan Graham
š! #39 'The End' - coll.
Dédale - Laurent Chardon
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Le museau de mes amies m’amuse - Jehane Mahmoud
Aurore Colbert - Marie Mons
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
America - Ayline Olukman, Hélène Gaudy 

























