In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Seoul Flowers & Trees - tribute to Lee Friedlander
Good Company - Paul Van der Eerden
Eros Negro # 1 - Demoniak
Dessins pour Rugir - Virginie Rochetti
La traversée - Magali Brueder
La vallée - la brèche - Tania Maria Elisa
Calendrier des révoltes - Matthieu Saladin
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Délié - Baptiste Oberson
Jean-Marc Bodson - États des lieux
Der Erste Rotkehlchen - Le livre
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Du Fennec au Sahara - Guillaume Pinard
JJ – Tartine-moi et autres textes - Jill Johnston
Sans titre - Chris Kiss
SKKS - Gilles Pourtier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
America - Ayline Olukman, Hélène Gaudy 

























