In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Calendrier des révoltes - Matthieu Saladin
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Collective Design : Alison & Peter Smithson
Tout va bien - Vera Muratet
twen [1959–1971]
Après la révolution – numéro 1
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Surface Tension - Tabitha Soren
Slanted 24 - Istanbul
Le dos des choses - Guillaume Goutal
Humoral Fortuities - Francesco Albano’s
Chausse-trape - Henri Crabières
IRL - In real life n°1 - Coll.
Fluent - Laëticia Donval 

























