In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

The Book Fight - Chihoi
Mökki n°4
Zoom Age - Julien Auregan
Dédale - Laurent Chardon
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Betty Tompkins - Raw Material
Les voiles de Sainte-Marthe - Christian Rosset
Le chateau enchanté - Atelier Mclane
Dear Paul - Paul Van der Eerden
Bruits - Emmanuel Madec
Turbo Decompress - Coll.
L'internationale modique (AND 3) - J-M. Bertoyas
La France de tête - Lot de 4 numéros
Illusive prosody - Alex Beaurain
Un peu comme voir dans la nuit - Leif Elggren + CD
Deep state - Mathieu Desjardins
Gros Gris n°4 - Duel
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Machiavel chez les babouins - Tim Ingold
À partir de n°1 - Coll.
Papier magazine n°06 - Coupe du monde
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Aristide n°4
SKKS - Gilles Pourtier 

























