In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

À partir de n°1 - Coll.
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Les voiles de Sainte-Marthe - Christian Rosset
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Blaclywall by Sihab Baik - Claude Closky
akaBB - tribute to Roni horn
Lavalse des tambours - Paul Rey
Klima Pages #2 — Somptueuses Résidences
Titanic Orchestra - Julien Mauve
Inflamed Invisible - David Toop
Introduction à l'esthétique - Nakai Masakazu
Piano - Joseph Charroy
Aurore Colbert - Marie Mons 

























