In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Critique d'art n°55
Délices d’Orient - Sarah Vadé
Dessins pour Rugir - Virginie Rochetti
In The Navy - Julien Kedryna
Objets Minces - Collectif
Editer l’art – Leszek Brogowski
Vanishing Workflows - Xavier Antin
Ilya Ehrenbourg - Et pourtant elle tourne
La vallée - la brèche - Tania Maria Elisa
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
KUHANE O TE AKI - Stephie Devred
ICCMHW - Atelier Choque Le Goff
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
Grilles - Zelda Mauger
The Book Fight - Chihoi
Une goutte d'homme - Alice Dourlen
MegaOctet Verbateam
Anémochorie - Antonin Detemple
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 

























