In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Escape - Makiko Minowa
Konrad Becker - Dictionnaire de réalité stratégique
Il était deux fois - Gary Colin
Seoul Flowers & Trees - tribute to Lee Friedlander
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Deep state - Mathieu Desjardins
Wayfaring - Patrick Messina, André S. Labarthe
Dear Paul - Paul Van der Eerden
Dédale - Laurent Chardon
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Intérieurs - Claude-Hubert Tatot
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
In The Navy - Julien Kedryna
Le vieux père - Laurent Kropf
Le Choix du peuple - Nicolas Savary, Tilo Steireif 

























