‘Miss Cox (Nude – Arising from the Ground)’ is a many-sided artistic translation of artist Mariken Wessels’ fascination for an anonymous woman who had posed for Eadweard Muybridge’s camera in 1885. In the 24-image sequence ‘Arising from the Ground’ (plate 286) the obese woman, who was supposedly named Miss Cox, can be traced from lying down to a full upright position. Affected by her appearance, Wessels began to make large clay sculptures and to photograph obese female models swimming underwater. In these photographs Wessels focuses on the landscapes which a body assumes impressed by water. Besides the underwater series and photographic views of the sculptures, ‘Miss Cox’ also contains studio views including sketches and other research materials.

23 x 29 cm / 64 pages / colour/ softcover

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De l'objet (comme un parcours) - Collectif, Sandra Chamaret
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16 x 421 - Lorraine Druon
本の本の本 - antoine lefebvre editions,
Zoom Age - Julien Auregan
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Pénurie - Zivo, Jérôme Meizoz
interférence - 2 - maycec
Beuglantine s'emmerde - coll.
Critique & création - L.L. de Mars
Dédale - Laurent Chardon
Gruppen n°14 - Collectif
Saint Julien l'hospitalier Tome 2 - Claire Pedot
interférence - 3 - maycec
Entretiens – Jérôme Dupeyrat
Escape - Makiko Minowa
Pectus Excavatum - Quentin Yvelin
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Deep state - Mathieu Desjardins
People in a faraday cage - Stéphanie Gygax
Critique d'art n°56
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage 









































