The menu for this festive issue includes a parade of down-market perfumes, messages squeezed into bottles, perfect Molotov cocktail recipes, celebrity fridges and their curated contents, the curious colours of centuries-old domestic bottles, the racism rife in the wine business, the salvation sought at AA sessions, and the many marvels that await in the minibar.
Featuring Kandace Siobhan Walker, Jacy Topps, José Quintanar, Studio Qiu Yang, AtelierNL, El Ultimo Grito, Emily King, Mirka Laura Severa, Johannes Reponen, and more, plus an anthology of graphic design talent.
224 pages
English

Christina Forrer - Don’t Swallow Your Tongue
Fièvre - Ronan Bouroullec
Savoir Revivre - Jacques Massacrier
Pectus Excavatum - Quentin Yvelin
Deep state - Mathieu Desjardins
Brantford & Keene #2 - Collectif
Pénurie - Zivo, Jérôme Meizoz
Prose postérieure - Les commissaires anonymes
Zoom Age - Julien Auregan
Alma Mater n°1
UPO 2 - J'aimerai être là - Xenia Naselou
Ventoline 5 - Coll.
Grilles - Zelda Mauger
Catalogue Art Guys - That's painting productions, Bernard Brunon
Le seuil - Quentin Yvelin
Image Canoë - Jérémie Gindre
Blaclywall by Sihab Baik - Claude Closky
Gros Gris n°4 - Duel
Mökki n°2
Wayfaring - Patrick Messina, André S. Labarthe
Aurore Colbert - Marie Mons
Titties - Nour Hifaoui
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Critique d'art n°54
Dernier royaume - Quentin Derouet
Watch out - Anne-Émilie-Philippe
Illusive prosody - Alex Beaurain
Incipit - Aymeric Vergnon
Tchat - Gary Colin
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Désolation - Verity Spott
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
L'inventaire des destructions - Éric Watier
La mémoire en acte - Quarente ans de création musicale
Salt Crystal - Fabio Parizzi
Talweg 6 - La distance
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Teddy et le Grand Terrible - Orian Mariat.
Marginalia - Clément Laigle
Critique d'art n°55 

