Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


L'arum tacheté de J-M. Bertoyas
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Morph - Camilo García A.
Une goutte d'homme - Alice Dourlen
Retour d'y voir - n° 3 & 4 - Mamco
Shanghai Cosmetic - Leslie Moquin
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Blaclywall by Sihab Baik - Claude Closky
Pø om Pø - Kaja Meyer
Imagos - Noémie Lothe
Assembly - Sam Porritt
Atopoz - Collectif
Mökki n°2
Slanted 30 - Athens
Gruppen n°14 - Collectif
Roven n°4
The Letter A looks like The Eiffel Tower - Paul Andali
Le vieux père - Laurent Kropf
Papier magazine n°06 - Coupe du monde
Un cheval, des silex - Benoît Maire, Sally Bonn
Tchat - Gary Colin
Poèmes - Yvonne Rainer
La construction - Perrine Le Querrec
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Objets Minces - Collectif
Le Gabion - Théo Robine-Langlois
Sillo n°3 - Le Fauve
Intérieurs - Claude-Hubert Tatot 









