Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Sights - Henry McCausland
Le blanc nez - Fouss Daniel
Strates & Archipels - Pierre Merle
La tour Tatline - Georgi Stanishev
Pénurie - Zivo, Jérôme Meizoz
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le corps travesti - Michel Journiac
Gros Gris n°4 - Duel
Tomber dans l'escalier - Jasper Sebastian Stürup
Assembly - Sam Porritt
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Shanghai Cosmetic - Leslie Moquin
Titanic Orchestra - Julien Mauve
Roven n°4
Slanted 24 - Istanbul
Collage - Laura McMorrow
Holy Mountain - Maia Matches, Knuckles & Notch
Le lacéré anonyme - Jacques Villeglé
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Piano - Joseph Charroy
Pectus Excavatum - Quentin Yvelin
Rasclose - Geoffroy Mathieu
Délié - Baptiste Oberson
Aristide n°4
Dear Paul - Paul Van der Eerden
Avec ce qu'il resterait à dire - Anne Maurel
Le chateau enchanté - Atelier Mclane
Aurore Colbert - Marie Mons 









