Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Hérésie Étiologique - coll.
Critique d'art n°56
Gros Gris n°4 - Duel
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Sans titre - Benjamin Hartmann
Critique d'art n°54
Atopoz - Collectif
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Bote-tchu & Sèllatte - Simon Boudvin
L'internationale modique (AND 3) - J-M. Bertoyas
Berlin Design Digest
Super Kiblind 3
Papier magazine n°06 - Coupe du monde
Le Parfum du Silence - Bonnie Colin
16 x 421 - Lorraine Druon
Dessins pour Rugir - Virginie Rochetti
Incipit - Aymeric Vergnon
Eros negro #2 - Demoniak
De tels baisers - Jul Gordon
Tu peux répéter ? – Écrire, parler, expérimenter les langues - Marianne Mispelaëre
A Home with no Roof - Sara De Brito Faustino
Piano - Joseph Charroy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Radio-Art - Tetsuo Kogawa
In The Navy - Julien Kedryna
Darkest Night - Joel Van Audenhaege
Mission Control - Emir Karyo & Jan Wojda
(page 1 et 17) - Lorraine Druon
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Eros negro n°3 - Démoniak
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Tchat - Gary Colin 









