Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Sillo n°3 - Le Fauve
Femme, Arabe et... Cinéaste - Heiny Srour
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Le dos des choses - Guillaume Goutal
Catalogue Art Guys - That's painting productions, Bernard Brunon
Before Science - Gilles Pourtier, Anne-Claire Broc'h
LSD n° 04 – A manga issue
La traversée - Magali Brueder
Critique d'art n°56
Rois de la forêt - Alain Garlan
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Holy Mountain - Maia Matches, Knuckles & Notch
Der Erste Rotkehlchen - Le livre 









