Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Du Fennec au Sahara - Guillaume Pinard
Ventoline 5 - Coll.
Keywording (Post) Contemporary Art - Greta Rusttt
Talweg 6 - La distance
16 x 421 - Lorraine Druon
Le vieux père - Laurent Kropf
Eros negro #2 - Demoniak
Anderlecht — Molenbeek - Pierre Blondel
America - Ayline Olukman, Hélène Gaudy
Alma Mater n°1
Les glaciers - Lorraine Druon
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Dans la Lune - Fanette Mellier
Flynn zine # 1 - Flynn Maria Bergmann
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Citrus maxima xparadisi - coll.
Le Dépli - Loïc Largier
Carnivore - Grow
Entretiens – Jérôme Dupeyrat
Gros Gris n°4 - Duel 









