Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Un essai sur la typographie - Eric Gill
America - Ayline Olukman, Hélène Gaudy
De tels baisers - Jul Gordon
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Ventoline 5 - Coll.
Crise de foie - Christine Demias
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Critique & création - L.L. de Mars
Polygone n°01 - Amour - Collectif
Dédale - Laurent Chardon
Email Diamant - Fabienne Radi
Imagos - Noémie Lothe
How to Become the Daughters of Darkness - Coll.
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Seoul Flowers & Trees - tribute to Lee Friedlander
Rasclose - Geoffroy Mathieu
16 x 421 - Lorraine Druon
Le corps travesti - Michel Journiac 









