Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Illusive prosody - Alex Beaurain
Papier magazine n°06 - Coupe du monde
Crise de foie - Christine Demias
Les Grands Ensembles - Léo Guy-Denarcy
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
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Mökki n°4
Aurore Colbert - Marie Mons
Modern Instances, The Craft of Photography - Stephen Shore
The Shelf - Journal 3
L'inventaire des destructions - Éric Watier
Wayfaring - Patrick Messina, André S. Labarthe
Pectus Excavatum - Quentin Yvelin
Eros negro #2 - Demoniak
Il est si difficile de trouver le commencement - Helen Thorington
Le Choix du peuple - Nicolas Savary, Tilo Steireif 









