Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


☀ - Manon Demarles
Papier magazine n°06 - Coupe du monde
Lili, la rozell et le marimba / revue n°2
Good Company - Paul Van der Eerden
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Dear Paul - Paul Van der Eerden
Je ne peux pas ne pas - Geneviève Romang
Gros Gris n°4 - Duel
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Lavalse des tambours - Paul Rey
Le chateau enchanté - Atelier Mclane
Burning Images, A History of Effigy Protests - Florian Göttke
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Denver Mosaic 1961 - René Heyvaert
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Wobby #30 - Overgrown
La typographie des Penguin Classics - Andrew Barker
Carnivore - Grow
Critique d'art n°56
Wayfaring - Patrick Messina, André S. Labarthe 









