Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Lavalse des tambours - Paul Rey
Les glaciers - Lorraine Druon
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Imagos - Noémie Lothe
In The Navy - Julien Kedryna
Sillo n°3 - Le Fauve
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Ce que l'histoire fait au graphisme - Clémence Imbert
Tomber dans l'escalier - Jasper Sebastian Stürup
il y avait une ville - Laeticia L'Heureux
Jawa Tengah Combo - Fred Maillard
Les soleils qui tournent ont des oreilles - coll.
Wayfaring - Patrick Messina, André S. Labarthe 









