Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Entretiens – Jérôme Dupeyrat
Der Erste Rotkehlchen - Le livre
Bande Annonce - Cinéma & Bande Dessinée - Coll.
À partir de n°1 - Coll.
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Wayfaring - Patrick Messina, André S. Labarthe
Habitante 2 - Coll.
Sans-Titre - Laurens Van'T Riet
MENU メニュー - Wataru Tominaga
SKKS - Gilles Pourtier
De lave et de fer - Laurent Feynerou
Le Gabion - Théo Robine-Langlois
Titanic Orchestra - Julien Mauve
Le Monde en situation - Vanessa Theodoropoulou
L'inventaire des destructions - Éric Watier
Eros negro n°4 - Démoniak
Pectus Excavatum - Quentin Yvelin
Critique & création - L.L. de Mars
La mémoire en acte - Quarente ans de création musicale
12345678 - Maya Strobbe
Holy Mountain - Maia Matches, Knuckles & Notch
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Comic Book (Untitled) - Stéphanie Leinhos
Zoom Age - Julien Auregan
Promenade au pays de l'écriture - Armando Petrucci
Rasclose - Geoffroy Mathieu
Illusive prosody - Alex Beaurain
Piano - Joseph Charroy
Hmm ! - C. de Trogoff
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Aurore Colbert - Marie Mons 









