Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Denver Mosaic 1961 - René Heyvaert
Le blanc nez - Fouss Daniel
Talweg 6 - La distance
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Citrus maxima xparadisi - coll.
La France de tête #04
Prose postérieure - Les commissaires anonymes
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Flynn zine # 1 - Flynn Maria Bergmann
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Aurore Colbert - Marie Mons 









