Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Before Science - Gilles Pourtier, Anne-Claire Broc'h
Do insects play ? - Johanna Tagada Hoffbeck
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Le Dépli - Loïc Largier
IBM – Graphic Design Guide from 1969 to 1987
Deep state - Mathieu Desjardins
Roven n°4
Rasclose - Geoffroy Mathieu
La mémoire en acte - Quarente ans de création musicale
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
The Shelf - Journal 3
Cuadernos - Henry Deletra
Un cahier - Michel Quarez
ARTZINES #1, Paris issue
Sur la page, abandonnés — vol.3
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Retour d'y voir - n° 3 & 4 - Mamco
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Critique d'art n°55
Aurore Colbert - Marie Mons 









