Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Le chateau enchanté - Atelier Mclane
Mökki n°2
Critique & création - L.L. de Mars
Grilles - Zelda Mauger
Délié - Baptiste Oberson
Shanghai Cosmetic - Leslie Moquin
Après la révolution – numéro 1
Polyphème (d'après Euripide) - J. & E. LeGlatin
ARTZINES #1, Paris issue
Humoral Fortuities - Francesco Albano’s
Entretiens – Jérôme Dupeyrat
Génération dakou - Yann Jun + CD
Pilote - Mathilde Sauzay
Aurore Colbert - Marie Mons
Tomber dans l'escalier - Jasper Sebastian Stürup
Halfgrijs - Coll.
Manuel pour formes et constructions nomades - Julien Rodriguez
Parataxes + CD - Michael Gendreau
Titanic Orchestra - Julien Mauve
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Zoom Age - Julien Auregan 









