Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


À partir de n°1 - Coll.
Les Grands Ensembles - Léo Guy-Denarcy
Pectus Excavatum - Quentin Yvelin
Imagos - Noémie Lothe
Critique d'art n°55
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Zoom Age - Julien Auregan
Avec ce qu'il resterait à dire - Anne Maurel
ARTZINES #1, Paris issue
IRL - In real life n°1 - Coll.
Image Canoë - Jérémie Gindre
Tchat - Gary Colin
Shanghai Cosmetic - Leslie Moquin
Mosaïque d'asphalte - Jack Torrance
Farandole - Jérémie Fischer
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Spectres n°4 - Mille voix
Le blanc nez - Fouss Daniel
ADBC du Dessin - Jacques Floret
Dédale - Laurent Chardon
Du Fennec au Sahara - Guillaume Pinard
the Ghost of Weaving - Coll.
America - Ayline Olukman, Hélène Gaudy
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Photographic Fields - Joël Van Audenhaege
It was a good day - Jeremy Le Corvaisier
Buiding a wall - A book by Roméo Julien
De lave et de fer - Laurent Feynerou
Konrad Becker - Dictionnaire de réalité stratégique
Dans la Lune - Fanette Mellier
La traversée - Magali Brueder 









