Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


An artist - Malena Pizani
La mémoire en acte - Quarente ans de création musicale
Sans titre - Benjamin Hartmann
fig. #6 - antithèse
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Eros negro #2 - Demoniak
Le Dépli - Loïc Largier
Gros Gris n°4 - Duel
Lucky Me - Eva Rotreklová & Jules Janssen
Rasclose - Geoffroy Mathieu
Illusive prosody - Alex Beaurain
Aurore Colbert - Marie Mons
America - Ayline Olukman, Hélène Gaudy
Papier magazine n°06 - Coupe du monde
Changer l'art par ses marges ? - Charlotte Laubard
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
16 x 421 - Lorraine Druon
UP8 — Pour une pédagogie de l'architecture
Le dos des choses - Guillaume Goutal
Le blanc nez - Fouss Daniel
Fluent - Laëticia Donval 









