Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Après la révolution – numéro 1
Pectus Excavatum - Quentin Yvelin
SKKS - Gilles Pourtier
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Seoul Flowers & Trees - tribute to Lee Friedlander
Illusive prosody - Alex Beaurain
Délié - Baptiste Oberson
Fluent - Laëticia Donval
People in a faraday cage - Stéphanie Gygax
Le blanc nez - Fouss Daniel
Femme, Arabe et... Cinéaste - Heiny Srour
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Gruppen n°13 - Collectif
Mission Control - Emir Karyo & Jan Wojda
Le lacéré anonyme - Jacques Villeglé
Karbone Magazine n°8 - Parasite
Imagos - Noémie Lothe
Le Dépli - Loïc Largier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Critique & création - L.L. de Mars
De tels baisers - Jul Gordon
Berlin Design Digest
Roven n°4
Ce que l'histoire fait au graphisme - Clémence Imbert
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le corps travesti - Michel Journiac
Dédale - Laurent Chardon 









