Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Le dos des choses - Guillaume Goutal
Flower finds - Orianne Jeanselme
Assembly - Sam Porritt
Regards croisés — Gekreutze Blicke - Yeloyolo
Piano - Joseph Charroy
L'œuvre des matières - Ivry Serres
Roven n°4
Darkest Night - Joel Van Audenhaege
Pectus Excavatum - Quentin Yvelin
ARTZINES #1, Paris issue
Rasclose - Geoffroy Mathieu
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
No Go Zone n°1 Canal Saint-Denis
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
SKKS - Gilles Pourtier
Salt Crystal - Fabio Parizzi
Musée des Beaux-Arts - Pierre Martel
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan
Le chateau enchanté - Atelier Mclane
Dédale - Laurent Chardon 









