Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Le blanc nez - Fouss Daniel
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Piano - Joseph Charroy
Der Erste Rotkehlchen - Le livre
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
movement in squares - Stefanie Leinhos
Eros negro n°4 - Démoniak
America - Ayline Olukman, Hélène Gaudy
Temps d'arrêt - Etienne Buyse
Dans la Lune - Fanette Mellier
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Good Company - Paul Van der Eerden
Farandole - Jérémie Fischer
Keywording (Post) Contemporary Art - Greta Rusttt
Sillo n°3 - Le Fauve
Brush Master - Jasper "Mississippi" Travis
Critique & création - L.L. de Mars
Dédale - Laurent Chardon
Hmm ! - C. de Trogoff
SKKS - Gilles Pourtier 









