Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Je ne peux pas ne pas - Geneviève Romang
Délié - Baptiste Oberson
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
ARTZINES #1, Paris issue
L'inventaire des destructions - Éric Watier
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Strates & Archipels - Pierre Merle
Good Company - Paul Van der Eerden
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Slanted 24 - Istanbul
Le singe et le bijoux - Roxane Lumeret
Laura Mulvay - Fetichisme et curiosité
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Morph - Camilo García A.
Incipit - Aymeric Vergnon
Dernier royaume - Quentin Derouet
Seoul Flowers & Trees - tribute to Lee Friedlander
Il était deux fois - Gary Colin
Titanic Orchestra - Julien Mauve 









