Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Imagos - Noémie Lothe
Gros Gris n°4 - Duel
Je ne peux pas ne pas - Geneviève Romang
Editer l’art – Leszek Brogowski
interférence - 3 - maycec
Dear Paul - Paul Van der Eerden
L'inventaire des destructions - Éric Watier
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le corps travesti - Michel Journiac
Objets Minces - Collectif
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 









