Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Cf. - Pierre Olivier Arnaud
It was a good day - Jeremy Le Corvaisier
Gros Gris n°4 - Duel
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Morph - Camilo García A.
Marcel Proust en cinq minutes — Jackson B. Smith
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Piano - Joseph Charroy
Papier magazine n°06 - Coupe du monde
Strates & Archipels - Pierre Merle
Critique & création - L.L. de Mars
Gruppen n°14 - Collectif
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.) 






















