Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

(page 1 et 17) - Lorraine Druon
Slanted 24 - Istanbul
Crise de foie - Christine Demias
La typographie des Penguin Classics - Andrew Barker
Une goutte d'homme - Alice Dourlen
Débris N°2 - Théo Garnier Greuez
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
il y avait une ville - Laeticia L'Heureux
Le chateau enchanté - Atelier Mclane
Gros Gris n°4 - Duel
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Flynn zine # 1 - Flynn Maria Bergmann
Der Erste Rotkehlchen - Le livre
Les soleils qui tournent ont des oreilles - coll.
Optical Sound 2
Slanted 30 - Athens
Pectus Excavatum - Quentin Yvelin
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Pilote - Mathilde Sauzay 






















