Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Un cahier - Michel Quarez
Sans titre - Benjamin Hartmann
Hello tomato - Marion Caron & Camille Trimardeau
Denver Mosaic 1961 - René Heyvaert
Rasclose - Geoffroy Mathieu
Dessins pour Rugir - Virginie Rochetti
Le chateau enchanté - Atelier Mclane
Dernier royaume - Quentin Derouet
Tomber dans l'escalier - Jasper Sebastian Stürup
Titanic Orchestra - Julien Mauve
Graphic Design Is (…) Not Innocent - Ingo Offermanns
La traversée - Magali Brueder
Deep state - Mathieu Desjardins
Musée des Beaux-Arts - Pierre Martel
Holy etc. - Fabienne Radi
Pectus Excavatum - Quentin Yvelin
Imagos - Noémie Lothe
Morph - Camilo García A.
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Il est si difficile de trouver le commencement - Helen Thorington
Aurore Colbert - Marie Mons
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Fluent - Laëticia Donval
Super Kiblind 3
Mökki n°4
Prose postérieure - Les commissaires anonymes 






















