Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Sans-Titre - Laurens Van'T Riet
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Gros Gris n°4 - Duel
Critique d'art n°56
Le chateau enchanté - Atelier Mclane
La construction - Perrine Le Querrec
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Entretiens – Jérôme Dupeyrat
Vacuité 9090 - Jérémy Piningre
The Shelf - Journal 3
Zoom Age - Julien Auregan
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
De lave et de fer - Laurent Feynerou
Before Science - Gilles Pourtier, Anne-Claire Broc'h 






















