Based on the reflection of visual disturbance, interference is a serie of editions with minimal geometric patterns merging into different printing techniques. Realized from a superposition play of photocopied white sheets, the geometric elements change randomly. The separate risoprinted modules form some visual connections and cause the accident supporting the concept of optical phenomenon.

interference 3 uses more specifically a work on color, interaction between warm and cold ones, from the enlargement of a photograph. Furthermore, the slanted rectangular cuts disorganize the printed compositions, changing the detail of the patterns and disrupting the first vision thereof.
Each copy is unique. digital and riso printed at home. cut by hand.
38 pages — one gradation of red and orange + one color blue
recycled paper 140 g/m2 — cover recycled paper 300 g/m2
21×15 cm — 50 copies

Origine Séfarade - 1995 - 1997 - Laurence Kourcia
Una Silla Plegada ( A Folded Chair) - José Quintanar
Ice & Cream - Florence Grivel, Julien Burri
Demain normalement - Octave Abaji
Ravedeath Convention - Jan Philipzen
Machiavel chez les babouins - Tim Ingold
Un cheval, des silex - Benoît Maire, Sally Bonn
Idoine & Nayoung Kim
Holy Mountain - Païen
Bokkusu - Nigel Peake
Bodies in Scattered Light - Andriu Deplazes
D’l’or - Rosanna Puyol Boralevi
Retraite - Arnaud Idelon
Jířa - Lucie Lučanská
And We Heard A Big "BANG!" - Joséphine Topolanski
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
À partir de n°3 - Collectif
Flower finds - Orianne Jeanselme
Censored n°05 - Transmission
Flowers Intertwined - Ema Gaspar
Délices d’Orient - Sarah Vadé
Betty Tompkins - Raw Material
Le 6b Saint-Denis, dans un tiers-lieu culturel
Dirty fish - Léa Abaroa
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
Green (or moles on a golf course) - Aslak Gurholt
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
The Shelf - Journal 3 



