Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Incipit - Aymeric Vergnon
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Replacement Artwork - Alexandre Barré
Jawa Tengah Combo - Fred Maillard
Lili, la rozell et le marimba / revue n°2
twen [1959–1971]
Parataxes + CD - Michael Gendreau
Le Monde en situation - Vanessa Theodoropoulou
Tupera Tupera Postcard Book
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
The Letter A looks like The Eiffel Tower - Paul Andali
Collective Design : Alison & Peter Smithson
Promenade au pays de l'écriture - Armando Petrucci
Cuadernos - Henry Deletra
Les voiles de Sainte-Marthe - Christian Rosset
Atopoz - Collectif
La Typographie Moderne - Robin Kinross
Comic Book (Untitled) - Stéphanie Leinhos
Berlin Design Digest
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri 













