Fifty years after 1968, a crucial year in Italian history that still today evokes a decade of political struggles and profound social transformations, the book ‘Forbidden to Forbid, Counterculture in Italy 1968-1977’, edited by Melania Gazzotti, traces that overwhelming period through one of its most exciting phenomena: counterculture. The book contains a rich selection of independent publications, mostly belonging to the Enzo Longo Collection and the Centro Studi Movimenti of Parma, which photograph crucial years of struggles and revolutions that marked profound social changes: books, manuals, fanzines, magazines, posters…

144 p, ills colour & bw, 20 x 27 cm, pb, Italian/English

Saveurs imprévues et secrètes - Gilbert Lascault
Critique d'art n°56
The Shelf - Journal 3
Collective Design : Alison & Peter Smithson
To Be Determined: Photography and the Future - Duncan Wooldridge
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
10 MINUTES Architects and Designers in Conversation
Typologie – La tente de camping
Critique & création - L.L. de Mars
Science of the secondary #11 - Banana
Le style anthropocène - Philippe Rahm
Konrad Becker - Dictionnaire de réalité stratégique
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Modern Instances, The Craft of Photography - Stephen Shore
An artist - Malena Pizani
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
the Ghost of Weaving - Coll.
Inframince et hyperlié - Philippe Lipcare
ARTZINES #1, Paris issue
Les Grands Ensembles - Léo Guy-Denarcy
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Après la révolution – numéro 1
Editer l’art – Leszek Brogowski
Le vieux père - Laurent Kropf
Spectres n°4 - Mille voix 











