Fifty years after 1968, a crucial year in Italian history that still today evokes a decade of political struggles and profound social transformations, the book ‘Forbidden to Forbid, Counterculture in Italy 1968-1977’, edited by Melania Gazzotti, traces that overwhelming period through one of its most exciting phenomena: counterculture. The book contains a rich selection of independent publications, mostly belonging to the Enzo Longo Collection and the Centro Studi Movimenti of Parma, which photograph crucial years of struggles and revolutions that marked profound social changes: books, manuals, fanzines, magazines, posters…

144 p, ills colour & bw, 20 x 27 cm, pb, Italian/English

Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Retour d'y voir - n° 3 & 4 - Mamco
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Modern Instances, The Craft of Photography - Stephen Shore
Burning Images, A History of Effigy Protests - Florian Göttke
Artzines # 10 - Show & Tell #2 NY Special
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
À partir de n°1 - Coll.
Critique & création - L.L. de Mars
Critique d'art n°56
Konrad Becker - Dictionnaire de réalité stratégique
Talweg 6 - La distance
An artist - Malena Pizani
Critique d'art n°55
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
ARTZINES #1, Paris issue
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Typologie – La tente de camping
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Habitante 2 - Coll.
Keywording (Post) Contemporary Art - Greta Rusttt 











