‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.
This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Richly illustrated with c. 300 black and white illustrations and photos.
This is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.
Editor: Katy Deepwell
Contributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang
Design: Lotta Lara Schröder
Series: PLURAL
Valiz, supported by Prins Bernhard Cultuurfonds and Middlesex University London| paperback | 448 pp. | 24 x 16,8 cm (h x w) | Engish

Rocher du Ciel - Martin Desinde
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Ludmilla Cerveny - Work
Pour une esthétique de l'émancipation - Isabelle Alfonsi
replis de l’anthélix - Rachel Sassi
How Many - Nathalie Du Pasquier
Konrad Becker - Dictionnaire de réalité stratégique
Photographic Fields - Joël Van Audenhaege
Shanghai Cosmetic - Leslie Moquin
Carnivore - Grow
Le blanc nez - Fouss Daniel
Une goutte d'homme - Alice Dourlen
Critique & création - L.L. de Mars
Eros negro #2 - Demoniak
Le corps travesti - Michel Journiac
Entre les lignes - Françoise Jaunin
Les ratons laveurs - Sophie Couderc
L'œuvre des matières - Ivry Serres
Le style anthropocène - Philippe Rahm
Salt Crystal - Fabio Parizzi
Firestar - AD Rose
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Farandole - Jérémie Fischer
Avec ce qu'il resterait à dire - Anne Maurel
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Dans la Lune - Fanette Mellier
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Regards croisés — Gekreutze Blicke - Yeloyolo
Eros Negro # 1 - Demoniak
Débris N°2 - Théo Garnier Greuez
Le chateau enchanté - Atelier Mclane
Hiver sur les continents cernés - F.J. OSSANG
Optical Sound 2
La traversée - Magali Brueder
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé 











