‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.
This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Richly illustrated with c. 300 black and white illustrations and photos.
This is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.
Editor: Katy Deepwell
Contributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang
Design: Lotta Lara Schröder
Series: PLURAL
Valiz, supported by Prins Bernhard Cultuurfonds and Middlesex University London| paperback | 448 pp. | 24 x 16,8 cm (h x w) | Engish

Photographic Fields - Joël Van Audenhaege
Slanted 30 - Athens
Tableaux fluo - 2013-2016 - Nina Childress
Hérésie Étiologique - coll.
Temps d'arrêt - Etienne Buyse
L'œuvre des matières - Ivry Serres
In The Navy - Julien Kedryna
Revue Les Saisons n°3
Eldorado maximum - Les commissaires anonymes
16 x 421 - Lorraine Druon
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Polyphème (d'après Euripide) - J. & E. LeGlatin
Grilles - Zelda Mauger
Eros Negro # 1 - Demoniak
Birds - Damien Poulain
Holy etc. - Fabienne Radi
Radio-Art - Tetsuo Kogawa
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
L'inventaire des destructions - Éric Watier
Sillo n°3 - Le Fauve
il y avait une ville - Laeticia L'Heureux
Étrangement seuls - Jean-Pascal Princiaux
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Jardín de mi padre - Luis Carlos Tovar
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Christina Forrer - Don’t Swallow Your Tongue
Critique & création - L.L. de Mars
Aurore Colbert - Marie Mons
Dédale - Laurent Chardon
Parataxes + CD - Michael Gendreau
Farandole - Jérémie Fischer
The Shelf - Journal 3
Critique d'art n°55 











