
The establishment of a large number of small independent publishing houses fifteen years ago led to a revival of risography. Artists and designers from all over the world have installed a “Riso” in their studios to produce small print runs inexpensively and independently of large printing houses. Smaller publishers in Latin America still print exclusively on the Risograph on grounds of cost. The primitive stencil printing process has a huge colour spectrum and creates an interesting optical effect by means of spot colours and coarse screening, which gives the result a homemade look. In the book, factors like colour, paper, file preparation, printing, and processing are explained. Exploriso appears in the first year of the Discovered series.
214 pp.
101 black-white and 32 colour illustrations
thread-stitching with inserted adhesive binding as book-in-book

Hmm ! - C. de Trogoff
Eros negro #2 - Demoniak
9 octobre 1977 - Roberto Varlez
Eros negro n°4 - Démoniak
Teddy et le Grand Terrible - Orian Mariat.
movement in squares - Stefanie Leinhos
Eros Negro # 1 - Demoniak
The Book Fight - Chihoi
A l'origine - Anne-Émilie-Philippe
Cyclone - Juliette Chalaye
Le chateau enchanté - Atelier Mclane
Good Company - Paul Van der Eerden
Roven n°4
Le Gabion - Théo Robine-Langlois
Prose postérieure - Les commissaires anonymes
Le vieux père - Laurent Kropf
ADBC du Dessin - Jacques Floret
Avec ce qu'il resterait à dire - Anne Maurel
Imagos - Noémie Lothe
Gros Gris n°4 - Duel
Il était deux fois - Gary Colin
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Vacuité 9090 - Jérémy Piningre
De tels baisers - Jul Gordon
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé 



























