
The establishment of a large number of small independent publishing houses fifteen years ago led to a revival of risography. Artists and designers from all over the world have installed a “Riso” in their studios to produce small print runs inexpensively and independently of large printing houses. Smaller publishers in Latin America still print exclusively on the Risograph on grounds of cost. The primitive stencil printing process has a huge colour spectrum and creates an interesting optical effect by means of spot colours and coarse screening, which gives the result a homemade look. In the book, factors like colour, paper, file preparation, printing, and processing are explained. Exploriso appears in the first year of the Discovered series.
214 pp.
101 black-white and 32 colour illustrations
thread-stitching with inserted adhesive binding as book-in-book

Piano - Joseph Charroy
Critique d'art n°55
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Radio-Art - Tetsuo Kogawa
Retour d'y voir - n° 3 & 4 - Mamco
Jawa Tengah Combo - Fred Maillard
La traversée - Magali Brueder
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Autodrône - Divine Vizion
Pø om Pø - Kaja Meyer
Mökki n°4
In The Navy - Julien Kedryna
Good Company - Paul Van der Eerden
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Holy Mountain - Maia Matches, Knuckles & Notch
RISO L’Écureuil de James - Liuna Virardi
Sillo n°3 - Le Fauve 



























