created on the occasion of her solo show at MEP in Paris, January 17 – February 16, 2020.

En collaboration avec MEP, Maison européenne de la photographie.
Ask the Dust makes one step closer to the minute, counts the speck of dust that the oblivion has not taken, explores the thin fissures where the ephemeral trace of a past life has found refuge. Following the example of John Adams in his opera I was looking at the ceiling and then I saw the sky, this act recounts a storm, a fictional catastrophe symbolizing the emotional shock of the protagonists. The storm, considered to a love story, turns upside down their worlds, crumble the reality and redefines a new way of life. The journey is following the struggle against the devastation and the transformation of the inner life. Alone in his room, the Man resides between a state of arousal and dream. He stares at the ceiling, the roof is collapsing under the weight of the lightning bolt, he’s facing the sky. This catastrophe from which we will only keep the signification without evoking any reason or content, is at the core of my approach by extending it to the use of the medium. The dust related to the analog practice represents what is infinitely large as well as the others alterations, who become a full-fledged subject. Through this « ballad between the infinitely large and the infinitely small » (Sophie Ristelhueber) I am writing the resurgence of an impression, the rise of a memory generated by the encounter of familiar places, the remembrance through an object and the spirituality that a landscape reveals in us. We are entering in an other space, where the body is absent, a space that doesn’t know his own limit and disappear in fragments of memories which are recomposing. Leave it to the wind to decide what traces are left behind in the dust.
40 pages
Paper: Favini Crush Almond and Fedrigoni Freelife Vellum

Alma Mater n°1
Dialogue de dessins 8 - Marcus Oakley, Roxane Lumeret, Zad Kokar
Cuadernos - Henry Deletra
Roven n°5
ARTZINES #1, Paris issue
ADBC du Dessin - Jacques Floret
Shanghai Cosmetic - Leslie Moquin
Aristide n°4
Optical Sound 2
A l'origine - Anne-Émilie-Philippe
Photographic Fields - Joël Van Audenhaege
Papier magazine n°06 - Coupe du monde
Lavalse des tambours - Paul Rey
Grilles - Zelda Mauger
Sans-Titre - Laurens Van'T Riet
Sights - Henry McCausland
Revue La Ronde n°14
LSD n° 04 – A manga issue
Titanic Orchestra - Julien Mauve
Roven n°4
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
In The Navy - Julien Kedryna
Le déclin du professeur de tennis - Fabienne Radi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Strates & Archipels - Pierre Merle
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Gros Gris n°4 - Duel
De tels baisers - Jul Gordon
America - Ayline Olukman, Hélène Gaudy
Konrad Becker - Dictionnaire de réalité stratégique
Imagos - Noémie Lothe
Retour d'y voir - n° 3 & 4 - Mamco
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Dernier royaume - Quentin Derouet
Email Diamant - Fabienne Radi
Pectus Excavatum - Quentin Yvelin
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
本の本の本 - antoine lefebvre editions,
Les voiles de Sainte-Marthe - Christian Rosset
Image Canoë - Jérémie Gindre
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Watch out - Anne-Émilie-Philippe
Seoul Flowers & Trees - tribute to Lee Friedlander
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
L'internationale modique (AND 3) - J-M. Bertoyas
À partir de n°1 - Coll.
La traversée - Magali Brueder
Three Dice - Aymeric Vergnon
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Critique & création - L.L. de Mars
interférence - 2 - maycec
Awakening at the inn of the birds - Aymeric Vergnon
The life of Ruben - Bernardo Sousa Santos
Temps d'arrêt - Etienne Buyse
Aurore Colbert - Marie Mons
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Talweg 6 - La distance
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel 





















