The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and Josef Albers, John Cage, Walter Gropius, and Buckminster Fuller were among the many adepts to give courses here. In consequence, BMC witnessed the development of a range of avant-garde concepts. This richly illustrated book appears in conjunction with the Black Mountain exhibition. It is the first comprehensive publication on BMC in the German-speaking world and traces the key moments in the history of this legendary school.

Text: Gabriele Brandstetter, Brenda Danilowitz, Arnold Dreyblatt, Fabienne Eggelhöfer, Matilda Felix, Mary Emma Harris, Gabriele Knapstein, Annette Jael Lehmann, Catherine Nichols, Andi Schoon, Craig Schuftan, Alice Sebrell

Prose postérieure - Les commissaires anonymes
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Editer l’art – Leszek Brogowski
Gone - Pierre La Police
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Eldorado maximum - Les commissaires anonymes
SNAKKEBOB … Kan jeg få et ord med deg? Tim Ng Tvedt
Papier magazine n°06 - Coupe du monde
Le vieux père - Laurent Kropf
Deep state - Mathieu Desjardins
L'arum tacheté de J-M. Bertoyas
Photographic Fields - Joël Van Audenhaege
Mökki n°4
In The Navy - Julien Kedryna
Konrad Becker - Dictionnaire de réalité stratégique 

















